Clint Barton (
thehawkinhisnest) wrote2016-03-17 02:49 am
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I lose the joys of life. (For
speaks_latin)
Warning: Will contain violence.
Clint fiddles with his cufflink, looking away from the window overlooking the street below. This is the last step of a mission he's been working for the last two weeks, and while he's as anxious as ever for it to be over, there's no sense of victory on the horizon. He's used to that with these missions, of knowing that once he's finished, he'll feel a sense of accomplishment, of having something to be proud of. But no matter how hard he tries, he just wants this one to be over.
He's supposed to kill a child.
Not really, of course. The girl (The Black Widow. Natalie. Natalia.) is only a few years younger than him - their intel says she is actually eighteen, though he's wondered about that in the time he's been watching her this week, while he decided the best way to play this, while his contacts set up this meeting. Natalia was his date to a dinner for some rich assholes this evening, and the longer the night goes on, the more certain he becomes that he can't go through with this. She's a killer, has taken out more targets than S.H.I.E.L.D. can actually keep up with - but he sees more when people don't know he's watching. He's seen the black cars and men that dog her heels, and the looks she gives them when she thinks no one's watching aren't to reassure herself that they're there. He's seen her steel herself before she talks to them, before she came up to meet up, tonight, and they all paint a picture different than the one in her file.
He has weapons hidden nearby, should be hiding one of them on himself now while Natalia freshens up in the bathroom - he doesn't want to think about why she thinks she needs to freshen up, she's a child and not even one allowed to make her own decisions - but he can't. He can't do it.
But he has to, and he finally takes his hand away from his sleeve, turning to find the closest handgun, to tuck it away as the sound of water stops in the bathroom and the door opens, to school his own expression and posture back into the relaxed, confident swagger this cover requires, to let himself leer a little when he turns to face her.
Another hour, and this will be done.
Clint fiddles with his cufflink, looking away from the window overlooking the street below. This is the last step of a mission he's been working for the last two weeks, and while he's as anxious as ever for it to be over, there's no sense of victory on the horizon. He's used to that with these missions, of knowing that once he's finished, he'll feel a sense of accomplishment, of having something to be proud of. But no matter how hard he tries, he just wants this one to be over.
He's supposed to kill a child.
Not really, of course. The girl (The Black Widow. Natalie. Natalia.) is only a few years younger than him - their intel says she is actually eighteen, though he's wondered about that in the time he's been watching her this week, while he decided the best way to play this, while his contacts set up this meeting. Natalia was his date to a dinner for some rich assholes this evening, and the longer the night goes on, the more certain he becomes that he can't go through with this. She's a killer, has taken out more targets than S.H.I.E.L.D. can actually keep up with - but he sees more when people don't know he's watching. He's seen the black cars and men that dog her heels, and the looks she gives them when she thinks no one's watching aren't to reassure herself that they're there. He's seen her steel herself before she talks to them, before she came up to meet up, tonight, and they all paint a picture different than the one in her file.
He has weapons hidden nearby, should be hiding one of them on himself now while Natalia freshens up in the bathroom - he doesn't want to think about why she thinks she needs to freshen up, she's a child and not even one allowed to make her own decisions - but he can't. He can't do it.
But he has to, and he finally takes his hand away from his sleeve, turning to find the closest handgun, to tuck it away as the sound of water stops in the bathroom and the door opens, to school his own expression and posture back into the relaxed, confident swagger this cover requires, to let himself leer a little when he turns to face her.
Another hour, and this will be done.
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"James, не. Он может вытащить нас отсюда. Мы могли бы быть свободными."
"Нет," he says, simply, turning the gun on her, now.
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He doesn't turn around to see what's behind him, either, just reaching back to grab the first thing that comes to hand - which, thankfully, is a glass, and he chucks it at the side of James's head as soon as it's clear whatever Natasha's saying isn't working.
(He really needs to work on his Russian.)
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"We may want to think about the window, after all."
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"Kinda wishing I'd kept that ear piece about five minutes longer," he shouts to her as they go.
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But they don't really have time to think about it.
That in mind, she moves to pull herself up onto the railing, tucking her gun away as she goes. "There's another balcony, a few floors down. Come on."
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"Go," he tells her - and he'll wait until he's sure she's clear before he vaults the railing himself, barely catching himself on the edge of the balcony itself, pumping his legs for an instant to set himself swinging, to make sure he doesn't hit the other balcony's railing before he lets go.
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"Keep moving," she tells Clint, offhandedly, over her shoulder, as she makes for the door out of the room.
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"Stairs are to the right if you don't think he'll just come down 'em," he says quickly as they get to this room's door and move to pull it open.
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Never mind the fact that she's pretty sure that, if James realizes that their play, he'll just start jumping down after them rather than wasting time with the stairs. It's still the only thing she can come up with, off the top of her head, right now.
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"So pick a room, then?" he proposes, if they are going to go off another balcony.
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Tucking the pin back away, she pushes the door open quickly but quietly, and heads inside -- much to the surprise of the room's occupants, who freeze, staring at her like she's the Boogeyman. She ignores them, even when they start shouting, and heads for the balcony.
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She swears immediately, backpedaling in the opposite direction. "Shit."
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"Backbackbackbackback," Clint says quickly, reaching for her, to shove her behind him as he also backpedals. "Keep going!"
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"Balcony or stairs," he prompts, because those are still their best options.
Though, as they continue down the hall, he sees something that might help them, and he picks up his pace a few strides to put himself more even with Natasha. "Keep going," he tells her - which might sound like another needless piece of advice except for the fact that he abruptly stops, already reaching out for a small red panel on the wall. Easily, he hooks his fingers around the white lever and yanks, pulling hard on the fire alarm. Immediately, there's a burst of noise as the alarm goes off, and he picks up running again without a glance at James.
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Ducking into a room as someone else exits, she grabs Clint's wrist as he moves past and tugs him in behind her. "Balcony," she tells him, as if that's not obvious. "Too many people on the stairs, now."
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What he wouldn't give for some rope right about now.
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